All Episodes
Displaying 1 - 30 of 109 in total
Joyce Kozloff’s Patterns of Protest
In 1973, gallerist Tibor de Nagy gave Joyce Kozloff a call. His voice quivered as he told her that Clement Greenberg had just left the back room after giving a searing...
Karen Wilkin: Critiquing the New Masters
In the late 1950s, a Manhattan-born college student was running from an art history course at Barnard to a George Balanchine ballet practice at the storied School of A...
Guantánamo Bay and the Art of Resistance
This August, journalist Moustafa Bayoumi broke the story that the first photo of a detainee in a Central Intelligence Agency (CIA) black site had been declassified. It...
Lucy Lippard’s Life on the Frontlines of Art
When Lucy Lippard left New York City for the tiny village of Galisteo, New Mexico, some were shocked: How could this giant of 20th-century art criticism, this leader i...
Robber Barons, Marcel Duchamp, and Big Museums’ Dirty Little Secrets
In 1915, Marcel Duchamp bought a snow shovel at a hardware store in New York City. He inscribed his signature and the date on its wooden handle. On the evening this ep...
Silver Skeleton Deities and Political Mind Games: What’s Happening at the Venice Biennale?
The sports world may be on the edge of their seats as we draw close to the 2024 Olympics in Paris. But the “Olympics of the art world” is already well underway in Ital...
Shelley Niro's 500 Year Itch
Shelley Niro (Kanien’kehaka) grew up watching her father craft faux tomahawks to sell to tourists who flocked to her birthplace, Niagara Falls. In this episode of the ...
Lee Quiñones: Graffiti and the Gallery
Anyone who remembers New York City’s “golden age” of graffiti in the late ’70s and early ’80s knows about the lion spray-painted on the handball court at Corlears Juni...
From Blog to Book
Since 2009, Hyperallergic has published tens of thousands of articles about art. But who are the writers behind these posts? And what drives them to write about art of...
Thomas Lanigan-Schmidt: The Story of One of the Few Artists at the Stonewall Uprising
We are thrilled to be back with a new episode of the Hyperallergic podcast. For our one hundredth episode, we spoke with legendary collage and mixed media artist Tommy...
The Cartoonist the US Right-Wing Political Establishment Loves to Hate
Eli Valley is one of the best American cartoonists and the political elite can’t stand his viral comics that pack a punch.
Artists Tali Hinkis and Daniel Temkin Discuss Digital Combines
Two new media-based artists have a conversation about the new energy in the contemporary art field and the limitations of categories for artists.
Tamara Lanier's Fight for the Photographs of Her Enslaved Ancestors at Harvard
In this episode of the Hyperallergic podcast, Lanier talks about her continuing quest for justice that includes the return of the daguerreotypes depicting her enslaved...
Understanding Why a Harvard Museum Will Return Standing Bear’s Tomahawk
Attorney Brett Chapman explains why this Ponca heirloom should be returned to Native Americans.
Audrey Flack and the Last of the New York School
For over 70 years, Flack has been making art in New York and boy does she have stories to tell.
Collector Tim Kang Talks About His Love of NFTs
The founder of the Sevens Foundation, Kang calls himself a “NFT thought leader” who is advocating global and equal opportunities for artists.
Creative Time’s Diya Vij Helps Launch an Art World Think Tank
The unorthodox program will gather together a group of thought leaders for 10 months to reflect and advise on happenings in the art community.
After Decades of Selling New Media Art, Gallerist Steven Sacks Offers His Take on NFTs
Bitforms gallery has been on the cutting edge of digital art for decades, so what does its founder think about NFTs?
Lindsay Howard Talks About the Burgeoning Market for NFTs
As head of the Foundation, one of the prominent platforms selling NFTs today, Howard has taken a more curated approach to the emerging field.
The World of NFTs, Explained by Digital Artist Addie Wagenknecht
While media outlets suggest non-fungible tokens are a panacea for artists, we ask a veteran of the digital realm to offer a more tempered take.
A Photographer Documents Post-war Artsakh
Scout Tufankjian spent a month in post-war Artsakh to witness the controversial ceasefire that would involve the removal of lands from the sovereignty of the Republic ...
MoMA’s Leon Black Problem and Cuban Artists Under Siege
Hyperallergic’s news team gets together to go over the highlights of our coverage from the past week.
The Biggest Art Stories of the Month, From Bernie Memes to the Vessel Shutdown
There’s been a lot of news recently, so Hyperallergic’s news team discusses some of the big art stories of the month in this episode.
From Graffiti to the Gallery, Futura Talks About Art
After 32 years, artist Futura is back with a solo exhibition in New York, his hometown where he first developed his reputation as a graffiti writer.
Artist Shahzia Sikander Is Ready for a New Post-Pandemic Reality
In this expansive conversation, Sikander discusses her first solo exhibition in a decade and her hopes for a post-pandemic art world.
John Yau, Jillian Steinhauer, and Others at Hyperallergic's First-ever Public Reading
This classic recording brings to life some of our favorite articles from 2015, and showcases the poetry of a few longtime Hyperallergic editors.
On Election Day, Reflecting on Months of Political Arts Reporting
Hyperallergic’s news team discusses the various art projects that have emerged during the 2020 election season.
Where Did the Deepfakes Go?
In this wide-ranging conversation, artist and technologist An Xiao Mina discusses the election cycle and the way propaganda is and isn't being used.
Sam Durant Revisits the “Scaffold” Controversy Three Years Later
The artist discusses the controversial incident three years ago in a new essay that explores the conversations prompted with the Walker Art Center.
National Gallery of Art Director Discusses the Decision to Delay the Philip Guston Exhibition
I talked to Kaywin Feldman to ask why the museum chose to delay the show by the well-known American artist.
